Community Engagement

Entrepreneurial American Leadership Award 

Richard C.D. Fleming is honored for his commitment to building livable and sustainable cities as a civic entrepreneur for more than 30 years while engaged in private sector and civic initiatives to revitalize cities and metropolitan communities in Atlanta, Denver, and, for the past 17 years, St. Louis.

There is a new buzz word in the battle against urban decline and vacant retail space—“pop-ups.” Simply put, a pop-up is a short term use of a retail space. Sometimes they come in the form of holiday stores, which close down after the season, while Target and other large retailers use them to promote specific products or lines.  Urban development initiatives, however, have begun to use pop-ups as a tool to reinvigorate declining shopping districts and main streets by changing perceptions of the neighborhoods they open in and demonstrating to potential investors and entrepreneurs the value of investing in these communities.

In the recent online poll, conducted by Outdoor Magazine, Chattanooga was recently voted by readers as the top choice in the “Best Town Ever” contest of 2011.

Undoubtedly the turn of the 21^st century has been a crossroads for communities across America. Planners are becoming more uncertain of which road to take to towards livability, the latest and most thought out models of revitalization being thrown into disarray by constant redevelopments in technology and the unforseeable factors that mediate the outcome. But as the unfolding of the digital age propels us into the unknown, there is one thing that is certain—education is a key to building a more vibrant and sustainable community.

"So, what is the point of public art? ” This question, posted online by Voice of San Diego's Kelly Bennett, came in response to the city of San Diego’s recent pull from public art funding; after its release on Twitter the post quickly turned viral. Responses to the post ranged from views of public art as superfluous and its place in the public sphere as luxury, to public art as necessary for community well-being, safety, and cohesiveness. 

Many of us believe in the arts as integral to the livable community— but when measuring out our federal dollars,  the arts are usually the first to go. But what if we could prove that in addition to instilling neighborhood pride and value in our public space, public art could actually serve as a deterrent for crime and violence?